ReelyArt

AI image model · Krea

Krea 3, edits in plain language.

Krea 3 is Krea's image editing model. You say what should change and what should stay the same, and it makes the edit; it also generates from words alone. Every tier pairs a size with a thinking mode: Instant goes straight to the render, High plans a complex edit first. It runs in ReelyArt Studio beside Nano Banana, GPT Image 2.5, FLUX 3, Ideogram 4.5, Seedream and Grok, at 1K and 2K.

Try Krea 3 freeAll models

2K High

top resolution

2 credits

per image, from

4 images

reference cap, 1 on free

1K Instant

on the free plan

Edits

Say what changes, and what stays.

Krea 3 follows plain-language instructions: lead with the change, then one sentence for what should stay. These four are from Krea's own launch examples; drag the slider to compare.

The same attic turned into a loft bedroom with limewashed rafters and oak floors by Krea 3An empty, unfinished attic with insulation between the rafters, before a Krea 3 edit

An empty attic, finished

The roof pitch, the rafters, the skylight and the camera stay where they were; the room around them is new.

Prompts

Edit

Convert this empty attic into a finished loft bedroom. Keep the exact roof pitch, rafter rhythm, skylight position and camera angle. Leave the rafters exposed in limewashed timber, add white plaster between them, wide oak floorboards, a low linen bed under the skylight, built-in storage in the eaves and a reading nook. Photoreal interior photography, soft morning light from the skylight.

Original image

The source photo: an unfinished attic under a pitched roof with one skylight.
A full-size chair in hand-tufted pink and mustard wool by a window, made from the clay model by Krea 3A small pink and mustard clay chair model on a cutting mat, before a Krea 3 edit

A clay model, made real

The shape and the marbled pattern of a desk-top clay model become a full-size tufted wool chair in a room.

Prompts

Edit

Turn this clay model into a real full-size chair upholstered in hand-tufted wool rug, low cut pile, keeping the exact shape and the pink and mustard marbled pattern woven in. Clean tufted edges, real textile. In a bright apartment by a window, interior photo.

Original image

The source photo: a hand-made clay chair model on a cutting mat.
The same scene from behind the cat, looking toward the taxi, redrawn by Krea 3A flat vector illustration of a startled grey cat as a yellow taxi speeds past, before a Krea 3 edit

The same moment, from behind

A new camera angle on a flat vector scene, in the same style: the taxi, the cat, the traffic light and the sparkles all carry over.

Prompts

Edit

Show the same moment from the reverse angle — from behind and slightly above the cat, looking past its arched back toward the taxi as it speeds by. Keep the exact flat vector style: the same neon green background, the same yellow taxi with pink and lavender reflections and motion streaks, the same gray cat with its puffed tail and wide eyes, the same traffic light on its magenta pole, and the sparkle stars, all in flat fills with thick black outlines.

Original image

The source illustration: a startled cat at a crossing as a taxi speeds by.
The same two characters with green tunics in the same watercolor style, edited by Krea 3A watercolor sketch of two anime-style characters in blue tunics, before a Krea 3 edit
The same two characters as 3D anime-style game character renders, made by Krea 3A watercolor sketch of two anime-style characters in blue tunics, before a Krea 3 edit

Recolor, or a new medium

One watercolor character sheet, two edits: new tunic colors in the same wash, and the pair as 3D game characters.

Prompts

Edit: green tunics

change both of their tunic colors to be green in the same watercolor style, change no details

Edit: 3d render

turn these illustrations into 3D style anime-inspired game character renders

Original image

The source sketch: two characters in blue watercolor tunics.

Reference images

Up to four images in, one picture out.

Refer to each image by what it shows: the fabrics in the second image, the face from the portrait. Four is the paid-plan ceiling in Studio; a free plan takes one.

  • A plain sofa in a bright roomImage 1, the room
  • Blue and cream striped fabric and rust corduroy swatchesImage 2, the fabrics
The sofa reupholstered in blue and cream stripes with rust corduroy cushions by Krea 3

A sofa in two new fabrics

Fabric swatches as the second image: stripes on the body, corduroy on the cushions, the room unchanged.

Prompt
Reupholster the sofa in the first image using the fabrics in the second image: blue and cream stripes on the body, rust corduroy on the cushions. Keep the sofa shape, room and camera angle. Real fabric texture and seams, photoreal interior photo.
  • A white hallway with a staircaseImage 1, the hallway
  • Green, red, yellow and brown paint chipsImage 2, the chips
The hallway repainted with green walls, a red bannister and yellow doors by Krea 3

Paint chips onto the walls

Four colors from a strip of chips, each sent to its own surface.

Prompt
Repaint the hallway in the first image using the paint colours in the second image: forest green walls, cherry red bannister, butter yellow doors, chocolate brown skirting. Keep everything else the same. Real painted surfaces, photoreal interior photo.
  • A portrait of a young man with frecklesImage 1, the face
  • The same young man in a green track suit with a caddy bagImage 2, the look
  • A forest green track jacket with beige panelsImage 3, the jacket
The same young man popping a wheelie in a golf cart, made by Krea 3 from three references

One face, one outfit, a new shot

A portrait, a look and a jacket go in; the same young man comes out mid-wheelie on a golf cart.

Prompt
Editorial fashion photograph, action shot from slightly to the side at a front three-quarter angle, camera at waist height, standard 50mm lens. The exact same young man from the portrait reference - identical face: medium-brown skin, prominent freckles across his cheeks and nose, short dark coily hair with a sharp line-up, full lips, same face shape as the approved caddy-bag image - sits in the driver's seat of a cream vintage golf cart with a canopy roof, popping a wheelie: the cart tilted back, both front wheels lifted clearly off the grass, rear wheels on the ground kicking up turf. His face is clearly visible and well lit, turned toward camera, eyes wide, huge open-mouthed excited shout, one hand on the steering wheel, the other fist pumping in the air. Green canvas caddy bag with clubs strapped behind the seat. He wears the forest green nylon track jacket with curved beige side panels and thin white piping, stand collar, full zip; wide-leg forest green nylon track pants with white piping; off-white leather court sneakers with gum soles. Striped links fairway, dunes, golden late-afternoon sun, pale sky. Realistic vehicle physics, luxury sportswear editorial, medium format film, fine grain.
  • A close-up of a young woman with copper bangs at an Art Deco barImage 1, the close-up
  • A portrait of the same young womanImage 2, the face
  • The same young woman seated at the bar in a cream sweaterImage 3, the look
Four Polaroid photobooth prints of the same young woman laughing, pulling a face, surprised and deadpan, made by Krea 3

Four expressions, one face

From a close-up and a full look, four photobooth prints of the same young woman, each with a different expression.

Prompt
Overhead photograph of four instant Polaroid prints laid out in a loose 2x2 grid on a dark walnut bar surface, slightly overlapping and casually tilted, classic white Polaroid frames with thicker bottom border. Each Polaroid is a photobooth-style flash shot of the same young woman from the references (same face, freckles, brown eyes, glossy skin, orange-to-blonde long layered hair with short blunt copper micro bangs), wearing the cream chunky ribbed knit mock-neck sweater with navy blanket-stitch raglan seams, framed head and shoulders against a plain photobooth curtain backdrop, direct on-camera flash. Four different facial expressions: 1) big genuine laugh with eyes squeezed, 2) playful tongue out and scrunched nose, 3) surprised wide eyes with open mouth, 4) cool deadpan stare with a slight smirk. Instant film look: slightly washed colours, soft vignette, flash hotspots, faint film texture. Warm amber ambient light on the table.
  • A young woman in a pink tee in a 1990s mahogany officeImage 1, the scene
  • A portrait of the same young womanImage 2, the face
  • A washed pink ringer t-shirt with a pixel bunnyImage 3, the tee
  • A red crinkled leather shoulder bagImage 4, the bag
A front-facing close-up of the same young woman in the same office and outfit, made by Krea 3

The same scene, closer

Four references, the most a paid plan takes: the scene, the face, the tee and the bag, re-shot as a front-facing close-up.

Prompt
Same scene, same woman and same outfit as the first reference image, now photographed from a different angle: front-facing close-up, chest-up framing, she faces the camera directly, face and shoulders square to the lens, candid neutral expression. Keep her identical (face from the portrait reference: brown eyes, ash-brown straight hair with wispy curtain bangs, mauve lips), the washed pink ringer tee with brown trims and small brown pixel-stitched bunny on the chest, the red crinkled leather shoulder bag strap over her shoulder with the bag partly visible. Background: the same dark polished mahogany panelled wall of the 1990s office, softly out of focus. Same warm soft directional light, 35mm film editorial look, fine grain, minimal.

Step by step

One night, three frames.

Each step edits the previous result: the same car, the same people and the same fog, from a new camera position each time. Rendered in our tests at 2K High.

The same car from a low front angle with two young people on the fender, edited by Krea 3A silver 1990s coupe with its hood open at a foggy harbour car meet at night, made with Krea 3

Edit 1, made on step 0

Same car meet and the same car from image 1, a different camera angle: a low angle from the wet ground at the front three-quarter of the car, the open hood and the glowing lantern above, the five-spoke wheel close and sharp, two of the young people leaning on the fender talking, the purple fog and the blurred harbour lights behind. Same night, same car. Shot on 35mm Portra 800 film, heavy natural grain, soft focus falloff, low light, muted purple and amber tones, candid documentary photography.
All prompts

Step 0, the first picture

Candid night photo at a small late-night car meet by a foggy harbour: a silver-grey 1990s Japanese sports coupe with pop-up-free sleek headlights, a lowered stance and five-spoke wheels, its hood open with a caged work lantern hanging from it and glowing amber over the engine bay, a few young people in dark jackets standing around it looking at the engine, one person's shoulder dark and out of focus in the foreground, the blurred lights of the city across the water in the purple fog. No badges, no logos. Shot on 35mm Portra 800 film, heavy natural grain, soft focus falloff, low light, muted purple and amber tones, candid documentary photography.

Step 1, low angle

Same car meet and the same car from image 1, a different camera angle: a low angle from the wet ground at the front three-quarter of the car, the open hood and the glowing lantern above, the five-spoke wheel close and sharp, two of the young people leaning on the fender talking, the purple fog and the blurred harbour lights behind. Same night, same car. Shot on 35mm Portra 800 film, heavy natural grain, soft focus falloff, low light, muted purple and amber tones, candid documentary photography.

Step 2, wide, from above

Same car meet and the same car from image 1, a different camera angle: a wide shot from further back and higher, looking down at the car with its hood open and the lantern glowing, the small group of young people around it now small in the frame, a second car's taillights glowing red nearby, the long foggy harbour edge and the city lights across the water. Same night, same car. Shot on 35mm Portra 800 film, heavy natural grain, soft focus falloff, low light, muted purple and amber tones, candid documentary photography.

Drawing to 3D

A child's drawing, brought to life.

A coloured-pencil monster becomes a 3D film character, then flies through a scene of its own, keeping its shape and colours at each step.

The same monster as a fuzzy 3D animated character on a grassy hill, edited by Krea 3A child's coloured-pencil drawing of a purple one-eyed monster with pink wings, made with Krea 3

Edit 1, made on step 0

Bring the character drawn in image 1 to life as a polished 3D animated film character: the same round purple body, the same small pink wings, the same three little legs, the same single big eye and two tiny horns, the same happy smile, now soft and fuzzy with expressive detail, standing on a green grassy hill under a warm sun. High-end animation studio style, cinematic lighting. Keep its shape, colours and features recognisable from the drawing.
All prompts

Step 0, the first picture

Photo of a real child's drawing on a sheet of white paper lying on a light wooden table, the paper edges and a little of the table visible around it, a few coloured pencils beside the sheet. The drawing: a round, smiling little purple monster with small pink wings, three wobbly legs, one big eye and two tiny horns, flying over a green hill with a yellow sun in the corner. Drawn by a six-year-old with coloured pencils only (no crayon, no marker): visible pencil strokes and hatching lines, uneven colouring that goes outside the lines, light and heavy pressure, naive wobbly proportions, the paper grain showing through the colour, soft daylight.

Step 1, in 3d

Bring the character drawn in image 1 to life as a polished 3D animated film character: the same round purple body, the same small pink wings, the same three little legs, the same single big eye and two tiny horns, the same happy smile, now soft and fuzzy with expressive detail, standing on a green grassy hill under a warm sun. High-end animation studio style, cinematic lighting. Keep its shape, colours and features recognisable from the drawing.

Step 2, in a scene

Cinematic action frame: the same 3D purple monster from image 1 flying fast through a canyon of floating islands and waterfalls at sunset, its small pink wings beating, big eye wide with joy, a trail of sparkles behind it, dynamic camera angle, motion blur on the background. Same character, same animation style.

From words

It generates, too.

No image attached: film photography, products with their labels, posters and letters as objects. From our tests at 2K.

A young woman in white linen leaping between sunlit rooftops, made with Krea 3
Film photo, in motionA leap between rooftops, motion blur on the feet and freckles on the face.
Prompt
Candid 35mm film photo of a young woman in a loose white linen shirt leaping between two sunlit rooftops in a Mediterranean town, laundry lines and blue sky behind her, hair flying, laughing, motion blur on her feet, natural skin texture with freckles, Kodak Portra colours.
A matte ceramic LUMEN perfume bottle on a travertine plinth, made with Krea 3
Product, with its labelA ceramic bottle on travertine; the small embossed word reads LUMEN.
Prompt
Studio product photo of a matte ceramic perfume bottle with a sculpted cream stone cap, standing on a curved travertine plinth, hard morning sunlight casting a long crisp shadow on a pale peach wall. The small embossed label reads "LUMEN". Minimal, premium, editorial.
A Swiss-style COMING SOON poster with a cobalt circle, made with Krea 3
A Swiss posterA headline, a hex-coded circle and a line of small type, on a strict grid.
Prompt
Swiss-style poster on off-white uncoated paper: huge black grotesk headline "COMING SOON" across the top, a large cobalt blue #1F3FD1 circle below it, a thin red line crossing the circle. Small black text at the bottom left: "Reely Art Studio". Strict grid, generous white space, subtle paper grain.
A young man in an orange raincoat crossing a wet street at blue hour, made with Krea 3
Street at blue hourA wet crossing, shop reflections and a sharp face in a moving crowd.
Prompt
A young man in an oversized bright orange raincoat crossing a wet city crosswalk at blue hour, mid-stride, umbrella tilted, reflections of shop lights on the asphalt, slight motion blur in the background crowd, sharp face, cinematic street photography.
A stack of sliced citrus on a white plate against cobalt blue, made with Krea 3
Food still lifeHard side light, juice drops and a balanced stack on cobalt.
Prompt
Bold still life on a cobalt blue background: a tall balanced stack of sliced blood oranges, lemons and limes on a white ceramic plate, juice droplets catching hard side light, crisp shadows, playful editorial food photography.
A terracotta courtyard with a plunge pool and white arches, made with Krea 3
ArchitectureTerracotta, arches and an olive tree under sharp afternoon shadow.
Prompt
Sunlit terracotta courtyard with a small turquoise plunge pool, white arches, an olive tree, a striped towel on a stone bench, sharp afternoon shadows, architectural photography, calm and warm.
A young woman riding a vintage bicycle down a Lisbon street at golden hour, made with Krea 3
Golden hour, 50mmA Lisbon street, tram rails, sun flare and wind in the hair.
Prompt
Candid 35mm film photograph of a young woman riding a vintage bicycle down a steep, narrow Lisbon street at golden hour. Low sun flares between the old tiled buildings, tram rails glow on the cobblestones, laundry hangs across the alley above her. She laughs over her shoulder, her loose linen shirt and dark hair caught by the wind, slight motion blur on the wheels and the background. Natural skin texture with freckles and visible pores, real film grain, Kodak Portra 400 colours, shallow depth of field, shot on a 50mm lens from street level.
A motocross rider in mid-air over a dirt jump at sunset, made with Krea 3
Sports, 400mmA whip over a dirt jump, dust hanging in sunset light.
Prompt
Real sports photograph of a motocross rider flying high in mid-air on a dirt bike over a big dirt jump, the bike tilted in a whip, soft golden sunset light from behind, dust hanging in the air, frozen motion, shot on a 400mm lens, plain white and black kit and helmet with no logos, natural photographic grain.
The words Krea 3 in bubbly liquid chrome letters on white, made with Krea 3
Letters as objectsTwo words in liquid chrome, with a contact shadow and nothing else.
Prompt
The words "Krea 3" in huge bubbly liquid chrome 3D letters, centred on a pure white background, soft reflections, crisp contact shadow, nothing else in the frame.
The words Krea 3 in frosted glass letters on white, made with Krea 3
Frosted glassThe same words in glass, with blue refraction and soft caustics.
Prompt
The words "Krea 3" in clear frosted glass letters with subtle blue refraction, centred on a pure white background, soft caustic light on the ground, nothing else in the frame.

Why this model

What Krea 3 is for.

Say it like you would to a person

Lead with the change, then one sentence for what stays: "change the mug to red, keeping everything else the same". No special syntax.

Two thinking modes

Instant is the quick default for clear edits. High uses a stronger reasoning step to plan multi-step edits, combine several references, or fix a request Instant missed.

References by what they show

Up to four images: a face, an outfit, a fabric, a palette. Refer to each by what it shows, such as the fabrics in the second image.

Four tiers, priced up front

1K Instant for 2 credits on the free plan, 1K High 3, 2K Instant 3, 2K High 4, one credit more with reference images attached.

Prompt guide

How to prompt Krea 3.

Krea 3 is an instruction-following editor. Lead with the change, add only what helps it, and close with one sentence for what stays.

The shape

Change: what to do, first
Details: material, color, light
Images: refer to each by what it shows
Keep: one sentence for the rest

A worked example

Reupholster the sofa in the first image
using the fabrics in the second image:
blue and cream stripes on the body, rust
corduroy on the cushions. Keep the sofa
shape, room and camera angle.

One preservation sentence

"Keeping everything else the same" does the job. A long list of what should stay tends to cost the change itself.

Start on Instant

Most edits land on Instant. Move to High when an edit has several steps or combines references.

Name images by content

The face from the portrait, the jacket in the third image: say which picture plays which part.

Send your sharpest image

Small text, logos and faces in a wide shot hold up better from a high-resolution source.

Use cases

Where Krea 3 fits.

Interiors and architecture

An empty room finished, a clay model made real, walls in the colors of a paint chip.

Product and materials

A sofa in new fabrics, a bottle on a new set, a label that reads right.

Fashion and characters

One face and one outfit across new shots, angles and expressions.

Illustration

A recolor in the same wash, a new angle in the same style, a sketch as a 3D render.

Film-style photography

Candid 35mm looks with grain, motion and natural skin, from words alone.

Posters and type

A strict grid, quoted copy and letters made of chrome or glass.

Pricing

What one image costs.

1K InstantFree plan2credits, 3 with an image
1K HighPaid plans3credits, 4 with an image
2K InstantPaid plans3credits, 4 with an image
2K HighPaid plans4credits, 5 with an image

Credits per image; four variations cost four times the number shown. Aspect ratios: 1:1 · 16:9 · 9:16 · 4:3 · 3:4. Failed generations are refunded automatically. Plans and credit packs are on the pricing page.

FAQ

Before you generate.

Last verified 16 Oct 2026

What is Krea 3?

Krea's image editing model. It follows plain-language instructions: describe what should change and what should stay the same. Leave out the images and it generates from words alone.

What is the difference between Instant and High?

Instant expands your prompt quickly and renders; it is the default and right for clear, simple edits. High plans the edit with a stronger reasoning step first, which suits complex or multi-step edits, several references combined, or a result Instant missed. High costs one credit more at each size.

What sizes does it render?

Two: 1K (1024 × 1024 on the square, 1360 × 768 at 16:9) and 2K (2048 × 2048 on the square, 1776 × 2368 at 3:4). Pick a ratio and the picture is framed to it; edit an image at its own ratio and it keeps its shape.

How many reference images can I use?

Up to four on a paid plan and one on the free plan. Refer to each by what it shows, for example "put the sneaker from the second image on the person in the first".

How should I write a Krea 3 prompt?

Lead with the change and add only the details that help it. Close with one sentence for what should stay, such as "keeping everything else the same", rather than listing every part of the picture.

Is Krea 3 free to use?

Its 1K Instant tier is on the free plan at 2 credits an image (3 with a reference), so the 10 signup credits cover 5 images. 1K High and both 2K tiers need a paid plan. No Krea account or API key is involved.

Whose terms apply?

ReelyArt's, and when you run Krea 3, Krea's Terms of Use as well. Both are linked from our Terms page.

Generate with Krea 3.

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